BRYAN PETERSON UNDERSTANDING FLASH PHOTOGRAPHY PDF

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Editorial Reviews. About the Author. Bryan Peterson, a professional photographer, is the author of "Understanding Exposure, Beyond Portraiture, Learning to. ELECTRONIC FLASH. By Bryan F Peterson/Charlie Borland. LESSON# . are unlimited. Flash photography can add light to what you want, when you want. 2. Understanding Flash Photography by Bryan Peterson - Excerpt - Free download as PDF File .pdf), Text File .txt) or read online for free. This guide to on- and.


Bryan Peterson Understanding Flash Photography Pdf

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Bryan Peterson's exposure solutions: the most common photography problems How to Use Fill Flash to Capture Flattering Portraits in Midday Sun understand the simple math involved in f-stops, shutter speeds, and ISO, it's also critical. From a master of professional photography, a book that explores the exciting possibilities of artificial light. This guide to on- and off-camera. Understanding Flash Photography: How to Shoot Great Photographs Using Electronic Author Bryan Peterson starts by breaking down how flash works, then.

So portable electronic flash remained a challenge. During the first ten years of my photographic career, I had seen a few really wonderful images by other photographers who were obviously very comfortable using portable flash. And Id be lying if I said I never felt envious of these talented shooters. My envy got so bad that back in I broke down and bought a Vivitar electronic flash.

At the time, the Vivitar was the king of kings in the portable strobe market.

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Truth be told, I used it one time! The stark and unflattering light was, to put it simply, a turnoff for me, and that one time served a single purpose: It strengthened even further my feelings of inferiority when it came to flash. That tiny, portable flash that had brought smiles to so many other shooters absolutely terrified me! There, I said it.

Yes, I was terrified of the small, portable strobe. Terrified of what? A number of things, but for starters, I was terrified by its shape. The rectangular shape of these electronic strobes is contrary to the. Round means even light distribution, just like the sun.

Round means friendly. Round means versatile, as in well-rounded, which makes me feel comfortable.

As one who spent far more time outdoors working with the actual sun and understanding a great deal about light and its direction, I had an easy transition to studio strobes, since they were nothing more than miniature suns. A rectangular electronic flash, on the other hand, was a foreign tool. Speaking of the sun and its ever-constant stream of lightlight that I could always seeanother problem with portable flash was that I could never see a constant stream of light coming out of the strobe.

When you fire a portable flash, the duration of that flash is so darn quick that you never get the chance to actually see it light the subject, which means youre always in a state of high anxiety until you see how your image turned out. Most electronic flashes now come equipped with a great deal of sophisticationsophistication that is intended to make our lives easier. If you know me, I hold the same disregard for flash automation as I do for the sophisticated automation offered by just about every DSLR on the market.

The only thing all of this flash automation has done is increase most peoples anxiety. The manual that comes with most electronic flashes is upward of ninety pages! Yet, there are usually just three pages written about using your flash in manual exposure mode, and these three pages may be the most useful in the entire manual!

Sure, you want to learn how to tilt and rotate the flash head, put on colored gels, and attach a diffuser, but at the end of the day, the most important thing you want to learn is how to use your flash in manual exposure mode.

Understanding Flash Photography by Bryan Peterson - Excerpt

If youve read my book Understanding Exposure, which deals almost exclusively with available light, you know the emphasis I place on what I call the photographic triangle: ISO, aperture, and shutter speedwith a further emphasis on the heart of the photographic triangle, light.

In this book, you will discover that the photographic triangle is still alive and well when using flash. At the heart of the triangle youll still find light, but with the addition of a portable, incredibly powerful miniature sun: This book builds on the manual exposure foundation that I detail in Understanding Exposure. Electronic flash does not require a new way of shooting.

Understanding Exposure, Fourth Edition

It does not require a new photographic mind-set. Flash is simply a supplementary tool that we add to our other fundamentals to augment the light in certain situations. When you operate with that understanding, and once youve mastered the manual exposure operation of your flash, youll be able to get a perfect flash exposure every time. I maintained a fear of flash for nearly three decades, but obviously the walls of resistance eventually tumbled down, since you hold in your hands a book about flash photography.

This onetime nonbeliever is now perhaps one of the biggest converts out there. By applying the principles of the photographic triangle and the techniques of manual exposure, I discovered that flash is a necessary and immensely creative tool that increases creative opportunities hundredfold.

I was confident using those studio lights, but theyre a different animal from the average portable electronic flash. So portable electronic flash remained a challenge. During the first ten years of my photographic career, I had seen a few really wonderful images by other photographers who were obviously very comfortable using portable flash.

And Id be lying if I said I never felt envious of these talented shooters. My envy got so bad that back in I broke down and bought a Vivitar electronic flash. At the time, the Vivitar was the king of kings in the portable strobe market. Truth be told, I used it one time! The stark and unflattering light was, to put it simply, a turnoff for me, and that one time served a single purpose: It strengthened even further my feelings of inferiority when it came to flash. That tiny, portable flash that had brought smiles to so many other shooters absolutely terrified me!

There, I said it. Yes, I was terrified of the small, portable strobe. Terrified of what? A number of things, but for starters, I was terrified by its shape.

The rectangular shape of these electronic strobes is contrary to the familiar, round shape of the electronic flash tube thats common in most studio strobes. Round means even light distribution, just like the sun.

Round means friendly. It doesn't get into very advanced techniques, A pretty solid overview of flash photography. It doesn't get into very advanced techniques, including the kind of external lighting one would need for a wedding, but it covers the basics that anyone should know about using flash photography in general.

I definitely came away from this book with a better understanding of how to use my flash.

Sep 01, Amanda Tero rated it really liked it. I started this book earlier this year then put it down when I got bogged down with other reading. I just remembered it and decided to finish it. In conclusion, I come away with the thought, "There are many options to use a flash! There were some creative pictures in this book, but as a whole, flash photog I started this book earlier this year then put it down when I got bogged down with other reading.

There were some creative pictures in this book, but as a whole, flash photography just isn't my favorite. I like natural light, and even when one tries to manipulate the flash to take the place of natural light, the examples still looked artificially lit.

Just my opinion. As with Peterson's other books, it was very informative, easy-to-read, and with down-to-earth examples. Feb 12, Abbie Miller rated it liked it Shelves: As much as I loved Bryan Peterson' book about exposure, this one wasn't quite as good. A lot of it seemed really dated to me and I simply did not get as much out of this book as I thought hoped I would. Still not a bad read if you want to learn more of the nitty-gritty on flash.

He does a great job of explaining his thought process for choosing camera and flash settings. Jan 31, Robert rated it it was ok. Though I consider myself a serious photography hobbyist, I never, if possible, do flash photography. My pictures at this year's Christmas celebration show why. But I have come to realize I should work to make myself more comfortable with flash photography. And though a serious hobbyist, I am a raw beginner when it comes to the remote flash.

So I did some reading of reviews on various Canon Speedlite flashes and decided the best pu Though I consider myself a serious photography hobbyist, I never, if possible, do flash photography. There are directions which come with the flash, however, these instructions were greatly lacking. I needed more in-depth guidance to help me understand the ins and outs of flash photography.

The download of Understanding Flash Photography was my first real step to that end. Bryan's book is outstanding, if you have a good knowledge of how your flash works. For that matter, even I gleaned some technique from the book.

How to Shoot Great Photographs with Any Camera

But if you are a "raw beginner" such as myself, you might be better off with a book to familiarize yourself with your specific flash. Mar 28, Chris rated it really liked it Shelves: I find Peterson's books to be much more informative than McNally's. Both are easy to read, due to how they craft their books.

Peterson explains things more thoroughly and more clearly than McNally seems to and is easier to understand, which is important when delving into the technical aspects and considerations of off-camera flash photography.

Don't get me wrong, McNally has his own place, but I can borrow his from the library - Peterson's books have earned permanent bookshelf real estate in my I find Peterson's books to be much more informative than McNally's. Don't get me wrong, McNally has his own place, but I can borrow his from the library - Peterson's books have earned permanent bookshelf real estate in my personal library.

One last word: Great for me, but thought it was worth mentioning to other readers who may not be looking for that focus. Sep 29, Jereme rated it really liked it. This is the book that finally helped me get my head around flash photography. Peterson clearly and simply explains what you need to know and then drills it into your head over and over again, gradually adding more advanced techniques though never too advanced.

This book isn't the ultimate flash resource, and there's some disappointment once you realize your flash doesn't have the same distance scale he relies on so heavily, but it's a great starting point for anyone looking to do more with the This is the book that finally helped me get my head around flash photography.

This book isn't the ultimate flash resource, and there's some disappointment once you realize your flash doesn't have the same distance scale he relies on so heavily, but it's a great starting point for anyone looking to do more with their flash.

Now I'm understanding other flash resources better including the lousy Canon manuals. Feb 05, Thaths rated it liked it Shelves: For years I've wanted to learn more about flash photography. The strobist instructions went over my head after the first couple of paragraphs. This book finally gave me a better understanding of the basics.Error rating book. The example photos in this book were not quite as inspiring as his images in Understanding Exposure, but they got the point across just fine.

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Chintan Chauhan. Finally, in the tradition of saving the best for last, the use of electronic flash with the instant-feedback monitor on the back of your DSLR will guarantee flash success as long as you resign yourself to becoming a chimping addict chimping is the reviewing and then trashing of.

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